Marion cotillard

Marion Cotillard Regisseurin

Marion Cotillard ist eine französische Schauspielerin. Bekanntheit erlangte sie vor allem durch ihre Darstellung der Édith Piaf in Olivier Dahans Spielfilm La vie en rose, für den sie mit einem Oscar, einem Golden Globe, dem British Academy Film. Marion Cotillard (* September in Paris) ist eine französische Schauspielerin. Bekanntheit erlangte sie vor allem durch ihre Darstellung der Édith Piaf in. Nicht Cate Blanchett oder Nicole Kidman, sondern Marion Cortillard. Ihre Leistung in "La vie en rose" war die beste die ich je von einer Schauspielerin sah​. Marion Cotillard ist eine französisch Schauspielerin, Produzentin. Entdecke ihre Biographie, Details ihrer 25 Karriere-Jahre und alle News. - Erkunde Klothildes Pinnwand „Marion Cotillard“ auf Pinterest. Weitere Ideen zu Französische schauspieler, Schöne hintern, Jeanne damas.

marion cotillard

marion cotillard movies. Marion Cotillard ist eine französische Schauspielerin. Bekanntheit erlangte sie vor allem durch ihre Darstellung der Édith Piaf in Olivier Dahans Spielfilm La vie en rose, für den sie mit einem Oscar, einem Golden Globe, dem British Academy Film. Marion Cotillard. Die Schauspielerin kommt aus einer Künstlerfamilie. Das Talent​, das ihr in die Wiege gelegt wurde, hat sie nach Hollywood geführt und ihr.

Was mentioned on Jodie Foster 's Golden Globes speech in Foster said: "[ No, I'm sorry, that's just not me. It never was and it never will be.

Please don't cry because my reality show would be so boring. I would have to make out with Marion Cotillard or I'd have to spank Daniel Craig's bottom just to stay on the air.

It's not bad work if you can get it, though. Designed her own jewellery for Chopard, a bracelet and a necklace.

She created the first "green" offering for the house, using ethically sourced coloured gemstones. Cotillard wore the handpiece that she designed featuring opals and diamonds connected to a ring by a chain during the Cannes premiere of The Little Prince on May 22, Her character in Nine , Luisa, is half-French and half-Italian.

Was considered for the role of Michelle in Elle Isabelle Huppert was cast instead. During the press conference of Macbeth at the Cannes Film Festival, her co-star Michael Fassbender stated that Cotillard is the best actress in the business.

Kevin knows that the answer to the final trivia question is the French film Les jolies choses , because Cotillard "exposes herself a number of times".

Lady Macbeth the character she played in Macbeth , is often referred to as "Lady M". This was also Cotillard's nickname for the launch of a online web documentary released by Dior in , Lady Dior Web Documentary Has appeared opposite two actors who played Magneto in the X-Men franchise.

Dench on stage in the 70s and Cotillard in the film adaptation, Macbeth Dench performed Macbeth opposite Ian McKellen as the title character.

A sample of Leonardo DiCaprio and Cotillard's dialogue in the train scene from Inception "You're waiting for a train Has dubbed in French all of her English-language roles since Big Fish Was mentioned in the TV series Entourage , in the episode where Vincent plays the lead role in a biopic of Enzo Ferrari directed by Frank Darabont , in which he co-starred alongside Al Pacino and Cotillard.

Was set to star alongside Romain Duris in the French action film "Vivre, c'est mieux que mourir", directed by Pascal Chaumeil , but the film was never shot.

Brought up her make up artist Christopher Danchaud and her friend Geraldine Seguin as her dates for the Academy Awards.

Counts Fantasia and E. Was the 5th French actress out of 7 to be nominated for an Academy Award for a French-language performance.

Was 3 months pregnant with her daughter when she completed filming Ismael's Ghosts Gave birth to her 2nd child at age 41, a daughter named Louise, on March 16, Child's father is her boyfriend, Guillaume Canet.

Her favorite indie film is Hedwig and the Angry Inch Cotillard, Isabelle Adjani and Isabelle Huppert are the only actresses to have been nominated for a Best Actress Oscar for a French-speaking role without the film receiving other nominations.

Bears a striking resemblance to American actress Sylvia Sidney. Counts actor Harry Dean Stanton as her cinematic crush.

You learn how to use your emotions and feelings, and my first teacher was my mother [ Niseema Theillaud ] and then I worked with my father [ Jean-Claude Cotillard ], who helped me to find in myself all those emotions and how to play with the emotions.

Did a man really walk on the moon? I saw plenty of documentaries on it, and I really wondered. And in any case I don't believe all they tell me, that's for sure.

I have a lot of work. My parents always told me that if you want something, you can do whatever you have to do to get it.

As long as it's not against someone else. I have a tendency to often share the point of view of the conspiracy theory.

She's just a girl who loves her man and feels desperate about losing him. It's not just about revenge. She is in that huge country, searching for something.

She's lost, destroyed inside. Both my parents are stage actors, and I was fascinated by their jobs. My father was a mime. When I was 5, a director friend of my family put me in his movie.

I played a little girl with a dog, but I remember my scenes and I was entranced by acting. It was a dream to me - the passion of the profession was contagious.

The first English-language movie I saw might have been E. I remember I was so into it, I cried so loud that the audience around me wanted to take me out of the theater.

Out of the Depression came all of these people who struggled to live. Billie had no money, and she came from an Indian tribe, which, at the time, was not easy.

By the time she came to Chicago and met Dillinger, she had already lived several lives - she had been to military boarding school, to learn military manners, to "get the Indian out.

When I was a little girl, I always wanted to be in a musical, an American musical. I knew Singin' in the Rain by heart. I think that when you don't see the boundaries, you cross them without even knowing they exist in the first place.

I need to feel that for a director it's a matter of life and death; he needs to tell this story.

I adore my own life, more and more I love being myself, but I love this work of totally changing personalities, of creating something radically different from myself.

I want to go profoundly into my roles. If not, what's the point? She is numb. It's as if she were drugged.

I have never experimented with hard drugs, but I've been at certain moments of my life in a state of shock close to something where you lose your footing, your sense of reality.

I think that's the gift of the actor, the ability to put ourselves in a state. Dramatic, dramatic, dramatic! It's boring!

We were happy to have someone with that kind of genius to help us avoid going in the direction of things that are perhaps realistic but are not at all cinematic.

And that's why he's a great director. He said, "Would you come to the studio? I would love for you to sing one of my songs. Then my friend said he was playing at the Olympia in Paris.

So he asked me if I would sing with him there and I said, "Oh, yeah, of course. He said, "Just try it for a few songs.

So he said to me, "Would you play piano on this song? I took piano lessons when I was like 5 or 6 but that was a long time ago.

I stopped when I was But suddenly it was very organic when I started playing it. So he said, "How about playing the drums?

I was part of the band, playing all of the instruments. One day I arrived at rehearsal and my friend said, "Okay, now that you've done everything else, how about singing a song by yourself alone?

The script changed constantly, and I needed to be ready to get on the next plane and be on set as soon as they needed me.

I'm not somebody who opens up to people very easily. With this form of expression,I think I've found a way to speak to a lot of people and share something of myself, while still keeping my distance.

I don't have anything against people who bare their souls to the media. I just know I can't do it. I want to share things that seem practical to me.

It's the same if I go to a dinner party with guests I don't know. I'm not going to share my life story with them.

I was not popular at all. I think I was very boring I was not interesting at all. I thought I had no personality. I thought everybody was so cool, and I was not.

You think things about yourself and then you start to give a little bit of love at least enough, to enjoy life.

But I was, oooh. I couldn't leave the character on La Vie En Rose It was weird because I used to kind of judge actors who would stay in character on set or who would have a hard time leaving the character behind when the movie was done.

I had this very dumb idea that "Okay, it's a big part of your life but it's your job. Go home and go back to yourself. In the process I was in character almost all the time.

Even when I went home, there was something that was not entirely me. But I've always loved to sing because in my childhood my mother would sing all the time.

I cannot remember one journey in the car without singing. So music is part of my life. My experience in Hollywood with the big blockbuster, though, is very special too, because it's a blockbuster directed, written, produced by Christopher Nolan , who's not a studio director.

I need to work with directors who have the need to tell a story - and he is definitely a director who needs to tell stories.

It put me in a different universe and gave me the opportunity to really discover different worlds. But I'm not like some celebrities who live with paparazzi 24 hours a day.

That's why I'm keeping my life in France. One of the things I have learned recently is that I have the ability to be happy.

I have found that in my family. And that is a new thing. And that hasn't always been the case for me - so I know how lucky I am.

She rediscovers the carnal, sexuality, love. Everything is very positive in the tragedy she faces. I am shaking; I feel very bad and I want to cry most of the time because I hate it so much.

But here it was totally different. I was so involved with my character that I was happy she would enjoy something like that. It's a movie about love, about flesh, about rust and bone and heart and sex, so without the sex scenes the movie would have missed something.

I felt very moved for her because it's the first time she's had sex since she lost her legs. I was very moved because I was so happy for her.

It makes you very exposed and that can be violent. I'm strong but also fragile, and sometimes it's not easy to be exposed to judgment, and to play with your emotions, to go searching inside yourself to make yourself naked to the world.

I think this desire to protect the Earth comes from my family - especially my grandmother. I remember when I was a little girl at her house in Brittany.

When she cooked, she wouldn't waste anything. And my parents always raised me to believe that the most important thing was respect.

Respect the place you live, be aware of the impact that you have on things. I was lucky to have this education growing up.

I was born in Paris and raised in the suburbs and then lived in the countryside. We had a beautiful house with a huge garden. When I moved to the country, I was really connected to nature and the seasons.

So when I finally went back to Paris, I had a very hard time connecting with the city again and the way we waste so much.

I started to read and teach myself about the environment - and why it was not organic and natural to be living in the city. I'm very happy with what's happening now and how the awareness is spreading.

Because 10 years ago my mind-set wasn't really normal for most people. I sounded like a crazy person talking about the environment. People saw me as a hippie who wanted to make my own cheese and live with animals in a house without electricity.

When I was younger, I considered a lot of things, but I couldn't choose, so I thought that being an actor would let me have many lives. It was a way to do all the jobs I wanted to do.

I just want to do my best. I just want to find the authenticity of each character. That's what matters to me.

It would be horrible to have an audience saying, 'Oh it's her. I want to experience something new each time. I was fascinated by this world of telling stories, of having a different day every day.

And my parents were -- still are -- passionate people, and to be raised with passionate people who open the door of your imagination and your creativity, I think it's why I am an actress now.

When I was a kid, I watched a lot of American movies and I never thought this was something that would happen to me.

But once I started acting I didn't see any boundaries. I wanted to be an actress. I didn't want to be a French actress.

It's not sensational or a statement at all, it had to be in there. You know how you feel when you rediscover your body, love, your life.

That's what happens to both these characters and I think that is very sexy. To me, it is something that really comes out of you and surrounds you.

You know, there's a fighter inside of me. When you have the capacity to fight, when you have the ability to love life and the ability to be happy, it's easy to be creative.

And that's a treasure that my parents gave me. They changed my vision of fashion whereas I never paid attention to it before.

Although I loved to dress and I liked clothes, now I see it as a very special form of art. I looked terrible while filming La Vie En Rose , so my hat collection increased dramatically.

I love men's hats because my father wears them. I like creating characters who have their own approach, their own body language, their own voice.

Learning a language helps to build something different. I play a Polish woman in the film, so I had to speak Polish fluently, with a Polish accent.

I understood that, in order to speak correctly, I had to sink into the Polish culture. I had the same experience with English and Italian.

Culture enriches language and vice versa. I've always wanted to be an actress but I never really asked myself why.

I know now that I have this career for two major reasons: First, because it allows me to take such pleasure in work that I happen to be overwhelmed with happiness while acting.

And second, because this job puts me the most in danger in relation to my emotional past. The movie is a celebration of life and hope.

More and more I love being myself, but I love this work of totally changing personalities. I guess that's why I became an actress.

Not only because my parents were actors and, yeah, it's a beautiful thing to tell stories, but I think I became an actress because I wanted to explore this- to explore what a human being is.

I'm not looking forward to it. I know that it's going to come. Some of the women around me, they tell me it's not fun to get old.

But it's not about your look, it's about the fact that you cannot run like you did when you were younger, or - it's just about when your body gets tired and you don't have the hundred percent energy sometimes.

So it's not something that I look forward to. But I have to say, since I'm a mum, I'm really looking forward to being a grandma.

This is kind of my obsession right now. I hope my kids won't wait so long, like me, to have kids, because I want to be a very healthy and young grandma.

So it's not getting old but being a grandmother So I guess I won't have Botox or whatever you put inside yourself to look younger. In France I was at my friend's house the other day, and all those women there, they were between 50 and 70, and they were so beautiful.

Sometimes in LA, or even in New York, you run into a lot of products - a lot of women filled with all those products. It's not just about plastic surgery now, it's about injections It just shows fear, and that makes me sad.

Then I realized that by exploring different human beings and their stories, I felt the connection I was longing for.

I know these women have also found answers in what they do, and share my passion for discovering the human soul. The wider the gap, the more vulnerable we are.

Any form of escape can seem good. You have to navigate through the different emotions because you're placed in tough positions as an actor.

Everything we give in a performance can come back to torture. And I love their language. I didn't become an actress with the aim of having a career in the US, my dream didn't have any geographical boundaries, but just after filming Tim Burton 's Big Fish , I was looking forward to speaking the language fluently because my poor English from my school days was a problem on set.

This love of English comes from my childhood, I grew up on American culture. Their music, cinema and literature were part of me.

I always wanted to express myself by being someone other than myself. It is much easier for me to understand something vast and complex than something light and uncomplicated.

Perhaps that makes me very French. For example, when I first got into movies in France, I had great success playing bimbos.

But I never believed that I would be put in a box. Melbourne, Australia. Archived from the original on 29 September Retrieved 14 July The Daily Telegraph.

Archived from the original on 24 December Retrieved 10 July Retrieved 1 March The Canadian Press. Archived from the original on 19 February Retrieved 6 March Retrieved 6 November JP's Box-Office.

Retrieved 24 October Box Office Mojo. Archived from the original on 17 December Retrieved 21 December Alt Film Guide. Retrieved 30 March TBR Entertainment.

Archived from the original on 3 February Independent Filmmaker Project. Retrieved 13 January Fox news.

Retrieved 17 November Retrieved 8 March Retrieved 12 May Archived from the original on 10 January New York Times.

Le Figaro. Retrieved 22 April Archived from the original on 9 May Retrieved 8 May Retrieved 27 January The Hollywood Reporter.

Los Angeles Times. Deadline Hollywood. Harper's Bazaar. CBS News. Pure People. The Hollywood Billboard. Archived from the original on 5 August Retrieved 29 July New York Film Critics Circle.

Retrieved 26 October National Society of Film Critics. Toronto Film Critics Association. Digital spy. Retrieved 18 November Retrieved 1 October Retrieved 15 January Retrieved 8 August Retrieved 30 September Retrieved 25 September The Daily Review.

Blouin ArtInfo. Archived from the original on 26 February Retrieved 26 December Retrieved 1 June Archived from the original on 2 March Retrieved 18 June Archived from the original on 1 May Retrieved 2 May Retrieved 14 April Retrieved 20 November Retrieved 19 April Retrieved 13 February Retrieved 6 February Retrieved 13 May Retrieved 5 April Retrieved 4 April Archived from the original on 13 July Archived from the original on 31 December Archived from the original on 13 November Retrieved 24 November Retrieved 28 November Archived from the original on 11 November Retrieved 10 November GreenPostBox in French.

Retrieved 8 February Retrieved 12 March Fondation Nicolas Hulot in French. Archived from the original on 11 March Retrieved 10 March Retrieved 21 June Golden Hat Foundation.

Archived from the original on 1 March Retrieved 3 March Marion Cotillard". The Philippine Star. Festival de Cannes.

Retrieved 8 November The Telegraph. The Huffington Post. Conservation International. Retrieved 9 November Archived from the original on 2 April The Fashion Spot.

Retrieved 6 April New York Magazine. The Location Guide. Archived from the original on 10 November Paris Match in French. Retrieved 8 October Retrieved 2 November Archived from the original on 12 January Pure People in French.

Retrieved 31 October The Sunday Times. Retrieved 20 May Interview Magazine. Wall Street Journal.

Under the Radar. Retrieved 21 March Marion Cotillard Welcomes a Daughter". Retrieved 17 March Evening Standard. Shoppers Shop.

Vogue Paris in French. Red Carpet Fashion Awards. Retrieved 15 May Retrieved 30 December The Independent Critics List.

Retrieved 23 January TC Candler. Archived from the original on 28 November Empire Online. Retrieved 30 November Wayback Machine.

Archived from the original on 2 January Retrieved 2 January Canal Plus in French. Retrieved 28 January Le Huffington Post in French.

Archived from the original on 2 February Retrieved 21 January Inyourspeakers Media.

BLUE VALENTINE den Tod von Carol-Annes Kanarienvogel Lebensstil?" ist christopher lambert 11. marion cotillard

DEUTSCHE ANIME DeMilles Film erzählt die Geschichte vom israelitischen Kind Moses, der von einer Prinzessin hd striptease und als ägyptischer Prinz aufgezogen wird. Emilia Schüle im Interview Selfies auf Instagram sind für sie tabu. Stars Macbeth: Featurette mit Marion Cotillard min prosieben. Click here In Paris. Mehr erfahren. Brad Pitt Erster Auftritt nach der Trennung. Read article könnten die beiden beim Standesamt die gleichgeschlechtliche Partnerschaft besiegeln, damals mussten sie sich mit keuscher Blutsbrüderschaft begnügen.
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Kaffee milch und zucker stream Mit click Schauspielern als Eltern, einem Regisseur als Cousin continue reading zudem zwei jüngeren Brüdern, von denen einer Bildhauer, der andere Autor und Regisseur ist, konnte Marion Cotillard fast nur einen künstlerischen Beruf ergreifen. See more ihr Vater Spritzen kann Marion ganz und gar nicht leiden. Langsam, halloween 2019 dvd sicher wurde Cotillard auch für den internationalen Film entdeckt.
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Sendungen Notruf L. Lady Grey London. Auf der tenne Erotik Filme mit echtem Sex Jetzt lesen. Der Geschmack von Rost und Knochen. Mit sechs Jahren wurde Cotillard für zwei Fernsehfilme engagiert, die ausschlaggebend dafür waren, eine Karriere als Source anzustreben. Blood Ties. Dolittle Jetzt lesen. La Vie En Rose. Marion Cotillard. Die Schauspielerin kommt aus einer Künstlerfamilie. Das Talent​, das ihr in die Wiege gelegt wurde, hat sie nach Hollywood geführt und ihr. marion cotillard movies.

Marion Cotillard Star Datenbank

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Expressed her desire to work with Meryl Streep during an interview to Larry King in Was one of the presenters of the 87th Academy Awards, in which she introduced the song "Everything is Awesome" from The Lego Movie Had she starred in the film, she would have played opposite Matthias Schoenaerts , her co-star and love interest in Rust and Bone Was mentioned on Jodie Foster 's Golden Globes speech in Foster said: "[ No, I'm sorry, that's just not me.

It never was and it never will be. Please don't cry because my reality show would be so boring. I would have to make out with Marion Cotillard or I'd have to spank Daniel Craig's bottom just to stay on the air.

It's not bad work if you can get it, though. Designed her own jewellery for Chopard, a bracelet and a necklace.

She created the first "green" offering for the house, using ethically sourced coloured gemstones. Cotillard wore the handpiece that she designed featuring opals and diamonds connected to a ring by a chain during the Cannes premiere of The Little Prince on May 22, Her character in Nine , Luisa, is half-French and half-Italian.

Was considered for the role of Michelle in Elle Isabelle Huppert was cast instead. During the press conference of Macbeth at the Cannes Film Festival, her co-star Michael Fassbender stated that Cotillard is the best actress in the business.

Kevin knows that the answer to the final trivia question is the French film Les jolies choses , because Cotillard "exposes herself a number of times".

Lady Macbeth the character she played in Macbeth , is often referred to as "Lady M". This was also Cotillard's nickname for the launch of a online web documentary released by Dior in , Lady Dior Web Documentary Has appeared opposite two actors who played Magneto in the X-Men franchise.

Dench on stage in the 70s and Cotillard in the film adaptation, Macbeth Dench performed Macbeth opposite Ian McKellen as the title character.

A sample of Leonardo DiCaprio and Cotillard's dialogue in the train scene from Inception "You're waiting for a train Has dubbed in French all of her English-language roles since Big Fish Was mentioned in the TV series Entourage , in the episode where Vincent plays the lead role in a biopic of Enzo Ferrari directed by Frank Darabont , in which he co-starred alongside Al Pacino and Cotillard.

Was set to star alongside Romain Duris in the French action film "Vivre, c'est mieux que mourir", directed by Pascal Chaumeil , but the film was never shot.

Brought up her make up artist Christopher Danchaud and her friend Geraldine Seguin as her dates for the Academy Awards.

Counts Fantasia and E. Was the 5th French actress out of 7 to be nominated for an Academy Award for a French-language performance.

Was 3 months pregnant with her daughter when she completed filming Ismael's Ghosts Gave birth to her 2nd child at age 41, a daughter named Louise, on March 16, Child's father is her boyfriend, Guillaume Canet.

Her favorite indie film is Hedwig and the Angry Inch Cotillard, Isabelle Adjani and Isabelle Huppert are the only actresses to have been nominated for a Best Actress Oscar for a French-speaking role without the film receiving other nominations.

Bears a striking resemblance to American actress Sylvia Sidney. Counts actor Harry Dean Stanton as her cinematic crush. You learn how to use your emotions and feelings, and my first teacher was my mother [ Niseema Theillaud ] and then I worked with my father [ Jean-Claude Cotillard ], who helped me to find in myself all those emotions and how to play with the emotions.

Did a man really walk on the moon? I saw plenty of documentaries on it, and I really wondered. And in any case I don't believe all they tell me, that's for sure.

I have a lot of work. My parents always told me that if you want something, you can do whatever you have to do to get it.

As long as it's not against someone else. I have a tendency to often share the point of view of the conspiracy theory.

She's just a girl who loves her man and feels desperate about losing him. It's not just about revenge. She is in that huge country, searching for something.

She's lost, destroyed inside. Both my parents are stage actors, and I was fascinated by their jobs.

My father was a mime. When I was 5, a director friend of my family put me in his movie. I played a little girl with a dog, but I remember my scenes and I was entranced by acting.

It was a dream to me - the passion of the profession was contagious. The first English-language movie I saw might have been E.

I remember I was so into it, I cried so loud that the audience around me wanted to take me out of the theater. Out of the Depression came all of these people who struggled to live.

Billie had no money, and she came from an Indian tribe, which, at the time, was not easy. By the time she came to Chicago and met Dillinger, she had already lived several lives - she had been to military boarding school, to learn military manners, to "get the Indian out.

When I was a little girl, I always wanted to be in a musical, an American musical. I knew Singin' in the Rain by heart.

I think that when you don't see the boundaries, you cross them without even knowing they exist in the first place.

I need to feel that for a director it's a matter of life and death; he needs to tell this story. I adore my own life, more and more I love being myself, but I love this work of totally changing personalities, of creating something radically different from myself.

I want to go profoundly into my roles. If not, what's the point? She is numb. It's as if she were drugged.

I have never experimented with hard drugs, but I've been at certain moments of my life in a state of shock close to something where you lose your footing, your sense of reality.

I think that's the gift of the actor, the ability to put ourselves in a state. Dramatic, dramatic, dramatic! It's boring! We were happy to have someone with that kind of genius to help us avoid going in the direction of things that are perhaps realistic but are not at all cinematic.

And that's why he's a great director. He said, "Would you come to the studio? I would love for you to sing one of my songs.

Then my friend said he was playing at the Olympia in Paris. So he asked me if I would sing with him there and I said, "Oh, yeah, of course.

He said, "Just try it for a few songs. So he said to me, "Would you play piano on this song? I took piano lessons when I was like 5 or 6 but that was a long time ago.

I stopped when I was But suddenly it was very organic when I started playing it. So he said, "How about playing the drums? I was part of the band, playing all of the instruments.

One day I arrived at rehearsal and my friend said, "Okay, now that you've done everything else, how about singing a song by yourself alone?

The script changed constantly, and I needed to be ready to get on the next plane and be on set as soon as they needed me.

I'm not somebody who opens up to people very easily. With this form of expression,I think I've found a way to speak to a lot of people and share something of myself, while still keeping my distance.

I don't have anything against people who bare their souls to the media. I just know I can't do it. I want to share things that seem practical to me.

It's the same if I go to a dinner party with guests I don't know. I'm not going to share my life story with them. I was not popular at all.

I think I was very boring I was not interesting at all. I thought I had no personality. I thought everybody was so cool, and I was not.

You think things about yourself and then you start to give a little bit of love at least enough, to enjoy life.

But I was, oooh. I couldn't leave the character on La Vie En Rose It was weird because I used to kind of judge actors who would stay in character on set or who would have a hard time leaving the character behind when the movie was done.

I had this very dumb idea that "Okay, it's a big part of your life but it's your job. Go home and go back to yourself. In the process I was in character almost all the time.

Even when I went home, there was something that was not entirely me. But I've always loved to sing because in my childhood my mother would sing all the time.

I cannot remember one journey in the car without singing. So music is part of my life. My experience in Hollywood with the big blockbuster, though, is very special too, because it's a blockbuster directed, written, produced by Christopher Nolan , who's not a studio director.

I need to work with directors who have the need to tell a story - and he is definitely a director who needs to tell stories.

It put me in a different universe and gave me the opportunity to really discover different worlds. But I'm not like some celebrities who live with paparazzi 24 hours a day.

That's why I'm keeping my life in France. One of the things I have learned recently is that I have the ability to be happy.

I have found that in my family. And that is a new thing. And that hasn't always been the case for me - so I know how lucky I am. She rediscovers the carnal, sexuality, love.

Everything is very positive in the tragedy she faces. I am shaking; I feel very bad and I want to cry most of the time because I hate it so much.

But here it was totally different. I was so involved with my character that I was happy she would enjoy something like that. It's a movie about love, about flesh, about rust and bone and heart and sex, so without the sex scenes the movie would have missed something.

I felt very moved for her because it's the first time she's had sex since she lost her legs. I was very moved because I was so happy for her.

It makes you very exposed and that can be violent. I'm strong but also fragile, and sometimes it's not easy to be exposed to judgment, and to play with your emotions, to go searching inside yourself to make yourself naked to the world.

I think this desire to protect the Earth comes from my family - especially my grandmother.

I remember when I was a little girl at her house in Brittany. When she cooked, she wouldn't waste anything. And my parents always raised me to believe that the most important thing was respect.

Respect the place you live, be aware of the impact that you have on things. I was lucky to have this education growing up. I was born in Paris and raised in the suburbs and then lived in the countryside.

We had a beautiful house with a huge garden. When I moved to the country, I was really connected to nature and the seasons.

So when I finally went back to Paris, I had a very hard time connecting with the city again and the way we waste so much. I started to read and teach myself about the environment - and why it was not organic and natural to be living in the city.

I'm very happy with what's happening now and how the awareness is spreading. Because 10 years ago my mind-set wasn't really normal for most people.

I sounded like a crazy person talking about the environment. People saw me as a hippie who wanted to make my own cheese and live with animals in a house without electricity.

When I was younger, I considered a lot of things, but I couldn't choose, so I thought that being an actor would let me have many lives.

It was a way to do all the jobs I wanted to do. I just want to do my best. I just want to find the authenticity of each character.

That's what matters to me. It would be horrible to have an audience saying, 'Oh it's her. I want to experience something new each time.

I was fascinated by this world of telling stories, of having a different day every day. And my parents were -- still are -- passionate people, and to be raised with passionate people who open the door of your imagination and your creativity, I think it's why I am an actress now.

When I was a kid, I watched a lot of American movies and I never thought this was something that would happen to me. But once I started acting I didn't see any boundaries.

I wanted to be an actress. I didn't want to be a French actress. It's not sensational or a statement at all, it had to be in there.

You know how you feel when you rediscover your body, love, your life. That's what happens to both these characters and I think that is very sexy.

To me, it is something that really comes out of you and surrounds you. You know, there's a fighter inside of me. When you have the capacity to fight, when you have the ability to love life and the ability to be happy, it's easy to be creative.

And that's a treasure that my parents gave me. They changed my vision of fashion whereas I never paid attention to it before.

Although I loved to dress and I liked clothes, now I see it as a very special form of art. I looked terrible while filming La Vie En Rose , so my hat collection increased dramatically.

I love men's hats because my father wears them. I like creating characters who have their own approach, their own body language, their own voice.

Learning a language helps to build something different. I play a Polish woman in the film, so I had to speak Polish fluently, with a Polish accent.

I understood that, in order to speak correctly, I had to sink into the Polish culture. I had the same experience with English and Italian.

Culture enriches language and vice versa. I've always wanted to be an actress but I never really asked myself why.

I know now that I have this career for two major reasons: First, because it allows me to take such pleasure in work that I happen to be overwhelmed with happiness while acting.

And second, because this job puts me the most in danger in relation to my emotional past. The movie is a celebration of life and hope.

More and more I love being myself, but I love this work of totally changing personalities. I guess that's why I became an actress.

Not only because my parents were actors and, yeah, it's a beautiful thing to tell stories, but I think I became an actress because I wanted to explore this- to explore what a human being is.

I'm not looking forward to it. I know that it's going to come. Some of the women around me, they tell me it's not fun to get old.

But it's not about your look, it's about the fact that you cannot run like you did when you were younger, or - it's just about when your body gets tired and you don't have the hundred percent energy sometimes.

So it's not something that I look forward to. But I have to say, since I'm a mum, I'm really looking forward to being a grandma.

This is kind of my obsession right now. I hope my kids won't wait so long, like me, to have kids, because I want to be a very healthy and young grandma.

So it's not getting old but being a grandmother So I guess I won't have Botox or whatever you put inside yourself to look younger.

In France I was at my friend's house the other day, and all those women there, they were between 50 and 70, and they were so beautiful.

Sometimes in LA, or even in New York, you run into a lot of products - a lot of women filled with all those products. It's not just about plastic surgery now, it's about injections It just shows fear, and that makes me sad.

Then I realized that by exploring different human beings and their stories, I felt the connection I was longing for.

I know these women have also found answers in what they do, and share my passion for discovering the human soul. The wider the gap, the more vulnerable we are.

Any form of escape can seem good. You have to navigate through the different emotions because you're placed in tough positions as an actor.

Everything we give in a performance can come back to torture. And I love their language. I didn't become an actress with the aim of having a career in the US, my dream didn't have any geographical boundaries, but just after filming Tim Burton 's Big Fish , I was looking forward to speaking the language fluently because my poor English from my school days was a problem on set.

This love of English comes from my childhood, I grew up on American culture. Their music, cinema and literature were part of me.

I always wanted to express myself by being someone other than myself. It is much easier for me to understand something vast and complex than something light and uncomplicated.

Later that year, she appeared in the film adaptation of the musical Nine , [34] directed by Rob Marshall , playing Luisa Contini, the wife of Guido, played by Daniel Day-Lewis.

Nolan described Mal as "the essence of the femme fatale ", and DiCaprio praised Cotillard's performance saying that "she can be strong and vulnerable and hopeful and heartbreaking all in the same moment, which was perfect for all the contradictions of her character".

Her performance is as unexpected and as unsentimental and raw as the film itself". In , Cotillard was named Hasty Pudding Theatricals ' Woman of the Year by Harvard student, [59] and was also ranked the 2nd highest paid actress in France in James Gray wrote the movie especially for Cotillard after meeting her at a French restaurant with her boyfriend.

In late , Cotillard was a member of the jury of the 13th Marrakech Film Festival that was presided by Martin Scorsese.

The film premiered at the Cannes Film Festival and earned a minute standing ovation, with her performance being named "the best performance of the festival".

Variety' s critic, Guy Lodge remarked: "Her deathless sleepwalking scene, staged in minimalist fashion under a gauze of snowflakes in a bare chapel, is played with tender, desolate exhaustion; it deserves to be viewed as near-definitive.

Somehow, almost incomprehensibly, it all works. Allied looks old but smells new, and the scent is heady. In the drama Angel Face Gueule d'ange by director Vanessa Fialho, she portrayed Marlene, a woman who suddenly chooses to abandon her daughter for a man she has just met during yet another night of excess.

Cotillard sings, [] plays guitar, bass guitar, keyboard and tambourine. Canadian singer Hawksley Workman , said in interviews about his album Between the Beautifuls that he worked and wrote songs with Cotillard while they both were in Los Angeles during the — movie awards season.

She also went on tour with the band in different cities in France and Belgium, under the pseudonym "Simone", which is her maternal grandmother's name.

She also wrote and co-directed the video for the song, made for Lady Dior's advertising campaign "Enter the Game — Dior Cruise ".

In addition to her film work, Cotillard is active in philanthropy, environmental activism, and has participated in campaigns for environmental protection, in particular Greenpeace , for whom she has been a member and acted as a spokesperson since In , she contributed to Dessins pour le climat "Drawings for the Climate" , a book of drawings published by Greenpeace to raise funds for the group, [] and in , she travelled to Congo with Greenpeace to visit tropical rainforests threatened by logging companies, it was shown in the documentary The Congolese Rainforests: Living on Borrowed Time.

She entered the cage and held a banner proclaiming "I am a climate defender". In February , she signed The Tiger Manifesto , a campaign calling for an end to everyday products being manufactured through forest destruction.

Launched by Greenpeace, the campaign is encouraging consumers to demand products are forest and tiger-friendly, particularly in Indonesia , where the Sumatran tiger is on brink of extinction.

The video highlights the troubling illegal logging that threatens the Brazilian Amazon. Cotillard was the ambassador of "1 Heart 1 Tree" , an art project that fights climate change through its Plant for the Planet reforestation program.

On 29 November , The Eiffel Tower became a virtual forest with trees and words encouraging environmental activism projected onto it every evening.

The installation replaced a giant march for climate change which was forbidden by French authorities following the deadly attacks in the capital on 13 November , which cost lives.

It was a way of showing the determination of protesters in their fight against climate change, and allowed them to still send a strong message on the eve of the U.

The time to safeguard its future — and with it our own future — is right now, " said Cotillard.

In , Cotillard was chosen as the face of Dior 's bag " Lady Dior " and was featured in an online short film directed by John Cameron Mitchell about the fictional character created by John Galliano.

This campaign has also resulted in a musical collaboration with Scottish rock band Franz Ferdinand , where Cotillard has provided the vocals for a composition performed by the group, entitled "The Eyes of Mars", for the "Lady Rouge" campaign.

Her contract with Dior came to an end in On February 17, , Cotillard was announced as the new face of the Chanel No.

In the late 90s, Cotillard was in a relationship with French actor Julien Rassam. They co-starred in the short films Quelques jours de trop and Heureuse , in the TV series Les redoutables , and in the feature films Cavalcade and Edy.

Since October , Cotillard has been in a relationship with French actor and director Guillaume Canet.

Despite common misconception, the couple are not married. Though since Cotillard has been spotted wearing a diamond solitaire on her left hand — a present from Canet — they are not engaged either.

She was ranked No. In , she was described as "the great silent film actress of our time" by British film critic Robbie Collin from The Daily Telegraph , for her ability to show emotions only with her eyes and facial expressions, although she has never appeared in a silent film, and was named "The Most Bankable French Actress of the 21st Century", her films accumulating more than 37 million ticket sales in France from to She ranked No.

In April , Vox. Cotillard has had a look-alike puppet in the French television show Les Guignols de l'info since During the chorus, they sing "Je t'aime, t'es belle comme Marion Cotillard" "I love you, you're as pretty as Marion Cotillard", in French.

Cotillard has dubbed several films and documentaries in France and in the U. Adjani won in for The Story of Adele H.

The actress was among names from the worlds of politics, culture, sport and public life published in the government's official journal for Bastille Day.

From Wikipedia, the free encyclopedia. French actress, singer-songwriter, musician, and environmentalist. Cotillard at the Cabourg Film Festival Paris , France.

Main article: List of awards and nominations received by Marion Cotillard. Archived from the original on 29 April Retrieved 14 May Retrieved 2 February The Wall Street Journal.

The Guardian. Retrieved 16 January Retrieved 22 July Archived from the original on 26 October Retrieved 9 July The Age.

Melbourne, Australia. Archived from the original on 29 September Retrieved 14 July The Daily Telegraph. Archived from the original on 24 December Retrieved 10 July Retrieved 1 March The Canadian Press.

Archived from the original on 19 February Retrieved 6 March Retrieved 6 November JP's Box-Office. Retrieved 24 October Box Office Mojo.

Archived from the original on 17 December Retrieved 21 December Alt Film Guide. Retrieved 30 March TBR Entertainment.

Archived from the original on 3 February Independent Filmmaker Project. Retrieved 13 January Fox news.

Retrieved 17 November Retrieved 8 March Retrieved 12 May Archived from the original on 10 January New York Times.

Le Figaro. Retrieved 22 April Archived from the original on 9 May Retrieved 8 May Retrieved 27 January The Hollywood Reporter.

Los Angeles Times. Deadline Hollywood. Harper's Bazaar. CBS News. Pure People. The Hollywood Billboard. Archived from the original on 5 August Retrieved 29 July New York Film Critics Circle.

Retrieved 26 October National Society of Film Critics. Toronto Film Critics Association. Digital spy. Retrieved 18 November Retrieved 1 October Retrieved 15 January Retrieved 8 August Retrieved 30 September Retrieved 25 September The Daily Review.

Blouin ArtInfo. Archived from the original on 26 February Retrieved 26 December Retrieved 1 June Archived from the original on 2 March Retrieved 18 June Archived from the original on 1 May Retrieved 2 May Retrieved 14 April Retrieved 20 November Retrieved 19 April Retrieved 13 February Retrieved 6 February Retrieved 13 May Retrieved 5 April Retrieved 4 April Archived from the original on 13 July Archived from the original on 31 December Archived from the original on 13 November Retrieved 24 November Retrieved 28 November Archived from the original on 11 November Retrieved 10 November

Marion Cotillard Video

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